釉上彩绘制作示范.pdf

釉上彩繪製作示範釉上彩繪製作示範 1 / 4 示範畫師示範畫師：：李金星李金星 D Demonstrated by emonstrated by A Artist LI Jinxingrtist LI Jinxing 資料搜集及編輯資料搜集及編輯：：陳婉萍陳婉萍 Edited by YP ChanEdited by YP Chan 道風山出品的瓷器由人手繪製，使用釉上彩繪技法傳統釉上彩繪注重精緻的細節，對繪瓷家的工藝水平有一定的要求 The Gospel in Chinese Porcelain of Tao Fong Shan is all hand painted by the skill of overglaze painting. Overglaze painting is traditionally highly detailed and intricate and thus draws heavily on the artistic skills of the artist. 1 釉上彩繪使用已上釉燒成的白瓷 ， 畫上一種特殊的釉彩 Over-glaze Porcelain Painting begins with a glazed white porcelain surface. 2 按照畫稿，用墨在稿紙上打稿，再把底稿托印在白瓷上。

The picture is outlined on draft papers by black ink. The drafted picture is then transferred onto the porcelain. 3 「失羊比喻」底稿完成 A finished draft picture of “The Parable of Lost Sheep” 4 用黑色釉藥，在底稿上勾畫線條此乃非常重要步驟，必須專心致志 The draft is then covered with a black glaze. This is an important step which requires concentration. 釉上彩繪製作示範釉上彩繪製作示範 2 / 4 5 主體輪廓線條勾畫完成 線條乃中國畫的欣賞重點，也體現出畫師紮實紮實的技法，表達畫意和造型的能力 Main figures outlining finished. Lines are one of the main focuses in appreciating Chinese art. Lines tell how good is the technique of the artist and his ability in expressing contents and forms in a painting. 6 主體及背景細部勾畫完成。

看，工整細緻的筆墨線條，已經寫出物象形神 Outlining finished. Look, the delicate lines are giving out the essence of the form and sensation. 7 然後以彩色釉藥上彩釉彩使用之前，要仔細調和，以畫師的經驗，取得合適濃度，燒成之後才能取得理想的色相 After outlining with black glaze, the artist fills with colored glaze. All glaze has to be blended well before use, in order to obtain a good firing effect. 8 先打上底彩 Put on the base color first. 9 再用清潔的毛筆，渲染色彩的層次濃淡 Then use a clean brush to develop the layers of color. 釉上彩繪製作示範釉上彩繪製作示範 3 / 4 10 背景上彩完成 Background colors finished 11 上彩過程 The coloring procedure 12 「失羊比喻」瓷畫繪成 The painting of “Parable of Lost Sheep” is finished 13 在完成的瓷畫上題字 Writing on the painting accordingly 14 在瓷器底部貼上票章 Stamping 15 畫師簽上名字及寫上作畫日期 Sign and dated 釉上彩繪製作示範釉上彩繪製作示範 4 / 4 16 入窯。

把瓷畫小心放進電窯烘燒 Firing. Put the porcelain into the kiln carefully 17 逐漸提升窯爐溫度 ， 從室溫提升至攝氏七百五十至八百度左右，視乎成品的形、色及不同釉藥溫度拿捏必須準確，才能取得理想的顯色效果到達合適溫度之後，不能即時開啟窯爐，要讓它慢慢降溫由入窯至出窯，需時十多個小時，期間必須專注留神，留意窯爐的溫度變化 The kiln temperature is then raised gradually until 750 to 800, depending on different forms and glaze. To obtain the ideal effect, temperature must be accurate. When the desirable temperature is reached, the kiln cover must not be opened immediately until its cooling down gradually to nearly room temperature. It takes more than 10 hours for the whole firing process. It takes the whole mind of the artist to concentrate on it. 18 燒成，出窯。

釉彩經過高溫窟窯燒，顏料與釉融合一起，色澤持久，可以永久保存 Firing finished. Color pigments melt into the glaze in high temperature. The colors of porcelain painting can be kept in a long period of time. 19 最後，用水與幼滑沙紙輕輕打磨表面，使瓷畫光滑潔亮 The porcelain painting is polished by fine sand paper and water. 。