【英文文学】The Medieval Latin Hymn

1、【英文文学】The Medieval Latin HymnPrefaceThe purpose of this volume is to trace the history of the medieval Latin hymn from the point of view of usage. It must be evident to any student of a subject which is spread over a thousand years of human experience in the widening environment of an entire continent that a guiding thread is needed to show the way. One must not, at the same time, ignore the fact that a monumental religious literature in the poetic field is involved. But the hymn is functional,

2、having its greatest significance as a lyric when employed in an act of worship. Latin hymnology, moreover, is an aspect of ecclesiastical studies following the history of the Church through the classical and medieval ages into modern times.A wider cultural background than the immediate interest of theology and religion is reflected in the hymns of any age. Here often lie secrets of interpretation which make possible an appreciation of contemporary thought.As the study of the medieval hymn is fol

3、lowed from the standpoint of life and usage, the antiquarian and the literary critic, who cannot fully satisfy the quest of the student for reality, must give place to the medieval worshiper himself who has revealed in its entirety each successive phase of a hymnological history not yet ended.For information about the Christian hymn as it existed prior to the medieval era, the authors Christian Hymns of the First Three Centuries, Paper IX, a publication of The Hymn Society of America, may be con

4、sulted. This account of primitive Christian hymnody, although pre-medieval, serves as an introduction to the subject matter of the present volume.The pages which follow are intended for the general reader rather than the specialist in medieval culture or in the classical languages. Biographies of hymn writers have not been attempted since the literature of this subject is already extensive. Documentation has been reduced to a minimum. A bibliography has been provided for any who are interested i

5、n specialized fields.xIt is hoped that this brief study will have a modest part in opening up to the general reader a field which has never been fully explored in any language, especially English. An inclusive treatment is not offered here but one which represents the fruits of a generation of research.My grateful thanks are due to my friends and co-workers in the fields of classical studies, hymnology and medieval history who have assisted me in countless ways, particularly to Dr. Adelaide D. S

6、impson and Dr. Carl Selmer, both of Hunter College of the City of New York, who have read the entire manuscript and offered invaluable criticisms and suggestions. Among the many librarians who have assisted me in varied centers of study, I am most indebted to the staff of the Library of union Theological Seminary of New York, under Dr. William Walker Rockwell and later under Dr. Lucy Markley. Finally, I wish to acknowledge my obligation to those authors and publishers who have granted permission

7、 to use certain translations of Latin hymns which appear in this volume.CHAPTER ONEEarly Middle Ages: Latin Hymns of the Fourth CenturyI. The Early Hymn WritersThe first mention of Christian Latin hymns by a known author occurs in the writings of St. Jerome who states that Hilary, Bishop of Poitiers (c. 310-366), a noted author of commentaries and theological works, wrote a Liber Hymnorum.1 This collection has never been recovered in its entirety. Hilarys priority as a hymn writer is attested by

8、 Isidore of Seville (d. 636) who says: Hilary, however, Bishop of Poitiers in Gaul, a man of unusual eloquence, was the first prominent hymn writer.2More important than his prior claim is the motive which actuated him, the defense of the Trinitarian doctrine, to which he was aroused by his controversy with the Arians. A period of four years as an exile in Phrygia for which his theological opponents were responsible, made him familiar with the use of hymns in the oriental church to promote the Ar

9、ian heresy. Hilary wrested a sword, so to speak, from his adversaries and carried to the west the hymn, now a weapon of the orthodox. His authentic extant hymns, three in number, must have been a part of the Liber Hymnorum. Ante saecula qui manens, “O Thou who dost exist before time,” is a hymn of seventy verses in honor of the Trinity; Fefellit saevam verbum factum te, caro, “The Incarnate Word hath deceived thee (Death)” is an Easter hymn; and Adae carnis gloriosae, “In the person of the Heavenly Adam” is a hymn on the theme of the temptation of Jesus.3 They are ponderous in style and expression and perhaps too lengthy for congregational use since they were destined to be superseded.2In addition to these the hymn Hymnum dicat turba fratrum, “Let your hymn be sung, ye faithful,” has been most persistently associated with Hilarys name. The earliest text occurs in a seventh century manuscript. It is a metrical versi

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