中文歌曲中的英汉语码转换现象探析【毕业论文】.doc

20_ 届） 本科毕业设计 英语 中文歌曲中的英汉语码转换现象探析 Analysis of Chinese-English Codeswitching in Chinese popular songs 语码转换是语言接触的一种常见现象，它普遍存在于双语或多语社会中在同一次 对话或交谈中，说话者使用两种或两种以上的语言变体的现象，就叫做语码转换本文 以流行歌曲歌词中的汉英语码转换为研究对象，以Milory和黄国文对语码转换的分类及 Jef.Verschueren的顺应论为理论基础，探讨中文流行歌词中出现的语码转换形式，分析 它们所反映的共同特征，讨论研究歌词中出现语码转换现象的动机研究发现中英文语 码转换的使用动机包括押韵，委婉表达情感，进行身份协商和顺应全球化趋势等，目的 是使歌曲更容易被传播和接受 关键词：语码转换；中文流行歌曲；轮换式和插入式转换；顺应论Abstract Code-switching, a common phenomenon in language contact permeates bilingual and multilingual society. It refers to circumstances in which a speaker uses two or more than two language varieties. This thesis regards Chinese-English code-switching as the research subject register which based on Mi lory and Huang GuowerTs classifications of code-switching and Jef.Verschuerens adaptation theory, aiming to explore the forms of code-switching in Chinese popular songs, analyze their common features and discuss the motivations in the lyrics. It proposed that the motivations which include rhyming, emotion expression in euphemism, social status consultation, conformation of the trend of globalization and so on. The purpose is to make songs to be spread and accepted more easily. Key words： code-switching; Chinese pop songs; alternating conversion and insertional conversion theory; adaptationContents Abstract . II 1 Introduction . 1 2 Theoretical Framework. 1 2.1 Milory and Huang Guowens theories in code-switching . 1 2.2 Jef.Verschuerens adapation theory in code-switching . 2 3 Classification of code-sw辻ching by Milory and Huang Guowen . 3 3.1 Alternating conversion in Chinese pop songs . 3 3.2 Insertional conversion in Chinese pop songs . 4 3.2.1 Words and phrases . 5 3.2.2 Sentences . 6 3.2.3 Sections and paragraphs . 6 3.3 Embodiment of the common characteristics . 7 4 Jefe Verschuerens linguistic adaptation theory in Chinese pop songs . 8 4.1 Code-switching as adaptation to the social conventions . 8 4.1.1 Drawing close to the hearer . 8 4.1.2 Showing personal identification marks . 9 413 Conforming to social conventions . 10 4.2 Code-switching as adaptation to the linguistic reality . 11 4.2.1 Adaptation concerning cultural words . 11 4.2.2 Adaptation concerning foreign products . 12 4.2.3 Adaptation concerning differences in corresponding expression . 12 4.3 Code-switching as adaptation to psychological motivations . 13 4.3.1 Code-switching in pursuit of fashion . 13 4.3.2 Code-switching for humor creation . 14 4.3.3 Code-switching for emphasis . 14 5 Conclusion . 15 Bibliography . 17 Acknowledgements . 18 Appendix . 21 HI 16. Introduction Code-switching is one of the most common phenomena in the word. As a result of frequent language contact in todays world, it is common for people to use languages or language varieties in daily conversations, literary works, television programs, advertisements, popular songs and so on. Bloom & Gumperz divided code-switching into situational and metaphorical code-switching (Gumperz, 1982:31) and stated that inter-sentential has certain limit in the structure (Gumperz, 1982:31). Since then, linguists started to carry on research from sociolinguistics, pragmatics, syntax, psycholinguistics and so on. Bloom & Gumperz, Myers-Scotton, Poplack, Yang Zhiqing Pfaff etc. are the most representative among the linguists. In China, He Ziran, Yu Guodong, Huang Guowen, Li Jingwei and Chen Liping and so on, theses linguistics offer a more systematic, comprehensive introduction of research abroad. As to the definitions of code-switching, different linguists have different opinions. Fraomkin gives the definition that “A word or phrase is inserted into a sentence or a phenomenon of the usage in two linguistic varieties or round-trip transform variants9 (Fraomkin 1998:16). Scotton and Chloros think code-switching are linguistic varieties which are used two or more at a same conversation (Scotton & Chloros 1983:26). In my opinion, code-switching is when you know both languages, but goes back and forth between them during a conversation with another person who also knows. This paper aims to analyze the characteristics of code-switching in Chinese-English popular songs, the results will be obtained by accurate data analysis- 17. Theoretical Framework 17. Milory and Huang Guowen，s theories in code-switching In this thesis, the theoretical framework will be followed by two main language masters- Milory and Huang Guowen. They both have certain impact in the area of code-switching. Milory and Huang Guowen point out that code-switching can be divided into alternating and insertional conversion, insertional conversion belongs to intra - clausal conversion, whereas alternating conversion is inter-clausal conversion (Huang, G.W.& Milory 1995： 11-12). Alternating conversion means code-switching is inserted between lines, and the requirements of this form is very strict, should be very regular, follow one Chinese sentence and one English sentence. However, insertional conversion means words or phrases or sentences are i。