当代釉下五彩瓷的表现语言与绘画研究.doc

当代釉下五彩瓷的表现语言与绘画研究当代釉下五彩瓷的表现语言与绘画研究分 类 号 密级 当代釉下五彩瓷的表现语言与绘画研究 研 究 生 姓 名： 曹惠子 指导教师姓名、职称 ： 张尧教授 学 科 专 业 ： 美术学 研 究 方 向 ： 陶艺理论与创作 湖 南 工 业 大 学 二一三 年 五 月 三十一 日 摘 要 陶瓷自远古以来就是人类不可缺少的日常生活用品，随着时间的 演变和人类文明的发展，逐渐成为艺术品釉下彩瓷是我国一种传统 的陶瓷装饰艺术品门类，醴陵出产的釉下五彩瓷作为釉下彩瓷的一 种，在世界享有很高的声誉五彩缤纷的色彩 p 清新秀丽的艺术风格， 巧夺天工的工艺，淡而有神 p 艳而不俗的审美趣味使釉下五彩瓷成为 中国陶瓷艺术中的一朵奇葩，在陶瓷发展史上具有划时代的意义 作为当代的陶瓷艺术家和研究者，如何正确看待当代釉下五彩瓷 的表现语言，以及如何把握好当代釉下五彩表现语言的运用，以此更 好的来从时代性、空间性、民族性去拓展釉下五彩瓷装饰绘画的艺术 形式、技术语言，来更好地发展这一陶瓷品种，成为眼下迫切需要解 决的问题。

文章力图从当代釉下五彩瓷的表现语言与绘画的关系来探讨，从 艺术理论的角度、艺术创作实践的角度来分析，以此来完善当代醴陵 釉下五彩瓷的表现语言与绘画形式，推动釉下五彩瓷产业的发展本 文旨在理清釉下五彩瓷表现语言与绘画的发展规律，深化对当代釉下 五彩瓷表现方法的研究，梳理中国当代釉下五彩瓷的表现语言所体现 的美学价值，拓宽釉下五彩瓷的创造领域，丰富其艺术形式和造型手 段，以此拓展釉下五彩瓷的创作思路 关键词：陶瓷艺术，釉下五彩瓷，装饰绘画艺术，表现语言 I ABSTRACT Ceramic has been an indispensable daily necessity for humans since very ancient time, and has evolved into an artwork enjoyed by people. Pottery Underglazes are traditional ceramic decorative arts in China. Among the arts, Five Color Underglazes originated from Liling enjoy an especially high reputation over the world. Five Color Underglazes have many characteristics. They can be as thin as a piece of paper, sounding like chime, bright as a mirror, white as jade. They are shiny and smooth and colorfully glazed. They are amazingly beautiful and have fresh and magnificent art style. They are artless but full of spirits. They are artfully made with elegant processing technology. All these characteristics make Five Color Underglazes one of the most wonderful Chinese pottery arts. It has the epoch-making significance in the history of ceramics development. As contemporary ceramics artists and researchers, several issues have to be urgently dealt with before they can successfully develop and promote the unique ceramics art of Five Color Underglazes. These issues include what is the contemporary expressive language of Five Colors Underglazes, how to properly deploy the expressive language of contemporary Five Color Underglazes in order to broaden its appealing and to showcase its characters of better times, regional features, and II nationality. We must also seek the theoretical foundations of the rational development of the decorative painting art of Five Color Underglazes. This thesis tries to explore the theory of art from contemporary Five Color Underglazes and its expressive language and painting. Our analysis is conducted from the point of view of the theory of art and of artistic creation in order to perfect Liling Five Color Underglazes’ contemporary expressive language and painting theory, and to improve and promote the development of Chinese ceramics industry. We aim to clarify the development trends of the expressive language and painting of Five Color Underglazes, to deepen the study of the artistic methods of the contemporary Five Color Underglazes, to put the aesthetic values of the artistic language of contemporary Chinese Five Color Underglazes in order, to broaden its creation areas and enrich its artistic means of modelling, and to suggest new creative ideas for workers of Five Color Underglazes. Key words: ceramic art underglaze, five color underglaze, decorative painting art, expressive language III 目 录 摘 要 ..............................................................I ABSTRACT ..........................................................II 第一章 引言 ......................................................1 1.1 研究背景 ....................................................1 1.2 研究现状 ....................................................2 1.3 研究目的 ....................................................4 1.4 研究意义 ....................................................4 1.5 研究思路 ....................................................5 1.6 研究方法 ....................................................5 第二章 釉下五彩瓷的基本概念及工艺流程 .............................6 2.1 何为釉下五彩瓷 ..............................................6 2.1.1 釉下五彩瓷的发展历史 ....................................7 2.1.2 釉下五彩瓷的特点 ........................................9 2.1.3 釉下五彩瓷的题材内容 ....................................9 2.1.4 釉下五彩瓷的文化内涵 ...................................11 2.1.5 绘画工具与材料 .........................................12 2.2 釉下五彩瓷的工艺流程 .......................................14 2.2.1 釉下五彩瓷的生产工艺流程 ...............................14 2.2.2 装饰工艺流程与绘制方法 .................................15 2.3 小结 .......................................................18 IV 第三章 传统与当代釉下五彩瓷的表现语言 .............................19 3.1 传统釉下五彩瓷的表现语言 ...................................19 3.1.1 中国画对传统釉下五彩瓷表现语言的影响 ...................20 3.1.2 书法艺术对传统釉下五彩瓷表现语言的影响 .................22 3.2 当代釉下五彩瓷表现语言.....................................23 3.2.1 线条。