哈代小说《还乡》悲剧效果_英语论文.doc

范文最新推荐------------------------------------------------------1 / 5哈代小说《还乡》悲剧效果_英语论文托马斯•哈代是英国 19 世纪末 20 世纪初的现实主义小说家, 是现代主义的开先河者在其最值得推崇和最具代表性的性格与环境小说中, 《还乡》是他第一部非常重要的悲剧性小说本文通过哈代小说——《还乡》的形式和内容来论述哈代小说的悲剧效果哈代的小说就非常有力的产生一种情感效果在哈代的主要小说里, 人在同命运的斗争中, 力量悬殊, 任何努力都显得徒劳无益, 最后难逃毁灭的结局正是因为这点, 悲剧的强度才大大提高, 我们才领略到怜悯和恐惧的悲剧效果本文可分五部分：第一部分为概述第二部分描述哈代的创作背景和作品文章的第三部分另辟章节对环境即埃格敦荒原对小说的作用及其对文中主人公尤的悲剧命运的影响进行了单独分析第四部分从两方面研究哈代小说的悲剧效果, 首先通过在小说中中心人物和事件, 悬念、发现和突转, 偶然和巧合以及有规则的节奏等形式的使用来分析哈代小说的悲剧效果然后从哈代小说《还乡》的内容上分析哈代小说的悲剧效果。

最后得出总结8031关键词: 《还乡》 ；悲剧；效果AbstractThomas Hardy, the critical realist at the turn of the 19th century and the forerunner of modernism in the 20th century, is mostly renowned for his novels of characters and environment, among which The Return of the Native is the first tragic and important one. The paper discusses the tragic effect of Hardy’s The Return of the Native through the forms and contents. The intensity of tragic experience in Hardy’s novels is significantly enhanced by his conviction that there is a fundamental dissonance between humanity and the ruthless fate the inpiduals struggle against. We have a vivid impression of the feebleness of his main characters before the onslaught of that blind force, thus experiencing an intense feeling of pity and fear. This paper is pided into five parts. The first is an introduction. The second part shows main works of ---------------------------------------------------------------范文最新推荐------------------------------------------------------3 / 5Thomas Hardy. Then it analyzes the role which Egdon Heath plays in the whole story and in the characters’ tragedy and the tragic effect in part four. Part four discusses the tragic effect of this novel and it consists of two aspects: the first one analyzes the tragic effect achieved by the use of the unity of action and suspense in this novel; the second one analyzes the tragic effect by the description of the four characters and tragic conflict from the contents of this novel. The last part is a conclusion based on the discussion in the previous parts. The end of tragic art is to produce the kind of emotional effect proper and peculiar to tragedy as a particular art form. This is clearly stated in Aristotle’s definition of tragedy as an imitation of an action, which being serious and complete, will arouse the emotions of pity and fear and in doing so accomplish the proper purgation of these emotions. Despite all the differences in understanding and explaining the Aristotelian definition of tragedy, pity and fear have been generally became the ideal effect that tragedy produces on l readers. Pity is nothing but sympathy in pain felt by those who are caught in a helpless situation. Fear results naturally from a sense of danger. In contemplating a great tragedy we are confronted with a phenomenon as powerful as a terrifying storm, and the tremendous power which give us a sense of our own feebleness and insignificance. We feel a thrill of fear because our destiny seems to be manipulated by something we could neither resist nor comprehend. However, tragedy, thanks to its fearful nature, also inspires in us a feeling of wonder and grandness by calling forth an extraordinary amount of vital energy to cope with a difficult situation. The sublimity of the tragic power forces “its way into the imagination and emotions, distends or uplifts them to its own dimensions. We burst our own limits, go out to the sublime thing, identify ourselves ideally with it, and share its immense greatness”(Bradley 38).Furthermore, tragedy also awakens in us a sense of human worthiness and people feel greatly encouraged—we admire the force, the courage with ---------------------------------------------------------------范文最新推荐------------------------------------------------------5 / 5which the heroheroic reaction against fate we see a ray of hope for the future of mankind. Therefore, in contemplating tragedy, we experience not only pity and fear but also an intense feeling of vitality, of human nobility, of the hope of a bright future. 哈代小说《还乡》悲剧效果(3):。