Optimization of Training and Practice of Drawing colors-毕业论文翻译.doc

1Optimization of Training and Practice of Drawing colors[Abstract] Current Sketch teaching with emphasis on the tendency of physical light tones, this paper that the sketch should be ontology content and its basic performance in language, especially for a sketch profound understanding of color. The author sketches in the text surrounding the issues related to color tentatively explored. [Keywords:] sketch color teaching and training 1 Introduction 2Current art and design education, an unprecedented expansion of the education system drawing showing the trend of diversification, and now appears fine arts institutions such as structural drawings, design drawings, sketches deconstruction, showing drawings, sketches and other drawings images. However, all new sketches of various class system, its ideas and aims mainly from the physical structure of the starting, more and more dilute the concept of color and even more specifically tone “avoid” or tone concept, “overhang”, the long run, will inevitably lead to Students observe the physical image of poor color sense of lack of capacity, and color modeling unsuited for the requirements of the phenomenon. Second, the teaching system, sketching the different shades of understanding of 31. All elements of the color sketch Since the shading has been created as a means of expression, sketches will be gradual emergence of the characteristics of the whole element, but also refers to sketch in expressing object’s “form, color mix.” Because契斯哈科夫 system will create a sketch attributed to the theory of its scope, known as total factor sketch. Form and method of combining tones to enable students to master in the drawing process to express the object of thinking. Shades of observation and performance are fully tempered and observations obtained with the same color. 2. Color sketch of the single-factor 4Single-factor color training in drawing closer to the nature of segmentation, interspersed. Rhythm, rhythm, black and white ash, actual situation, the severity and so on as well as their inter-relationship between the composition of the screen to guide us right combination of flat space between thinking training. Experience sketch colors, the application of its basic elements of black, white, gray to organize pictures, black, white, gray to emphasize its color and layered relationships, emphasizing the feeling of space factors. 3. Figurative expressionist sketch of the color Created by Giaccometti master figurative expressionist sketch mainly two aspects: First, a purely visual, that sketch as a way to recognize visual objects - “phenomenological approach see” emphasis on human subjectivity is possible truly involved in watching, since, 5when the object is in the human dimensions of conscious awareness and behavior of the visual presentation and composition; second is the nature of reproduction, drawings were a reference to the object of things, people and objects intended to “frame serve as a bridge “to find a” tacit complicity “and” common language. “ Third, optimizing color sketch the basic elements of teaching and training 1. Overall Observations The face of changing the tone level should first times with your eyes, as a whole, feel it is the basic color characteristics (ie first impression), and then maintain 6this feeling carried out under the premise of induction and compared to identify the general level of the object to distinguish between bright and dark areas the Department of the Ministry of tone color area, and then in various parts of the region to find a difference, this observation should be run through the whole painting has always been. 2. Induction and contrast Induction is similar in nature some of the basic gradation level, summed up in the screen rational level as a tone. The face of a rich and varied tone level, should focus on large scale, would have to say the picture summarized into black, white, gray levels of the three colors, this is a sketch of the overall arrangement of colors, which runs through the sketch of the Always; then every black and white, gray regions, and then it is grouped into different layers of color, contrast the differences between the various local. When the two were close look at 7color, it is difficult to identify the difference between them, but if it is, and when the set together to make it easy to distinguish them. 3. Grasp the physical structure of The first is the concept of the formation of body mass, it should be that any objects are three-dimensional, is the sum of objects in each plane, while the tone is the surface reflection and absorption of the amount of light, only the blocks for the color of the coated surface before the space to provide the possibility of Therefore, the concept of body mass culture is to train the premise of color drawings; followed by a structural concept that body mass is the visual characteristics of induction, which is the result of external observation; while st。