考研考博-考博英语-国防科技大学模拟考试题含答案25.docx

考研考博-考博英语-国防科技大学模拟考试题含答案1. 单选题Many states in America have passed laws that say children cannot be enrolled in schools or day care unless they have been ______ against tetanus, diphtheria, measles, mumps and whopping cough.问题1选项A.diagnosedB.concurredC.immunizedD.infected【答案】C【解析】考查动词辨析A项diagnose表示“诊断，断定”，B项concur表示“同意，一致，互助”，C项immunize表示“赋予免疫性，（尤指通过注射疫苗）使免疫”，D项infect表示“感染，传染”根据unless（除非）可知，后面的句子表示条件，结合前面的句子children cannot be enrolled in schools or day care（儿童不能上学或上托儿所）以及后面的tetanus（破伤风）、diphtheria（白喉）等词，可知“使免疫”符合语境。

句意：美国许多州都通过了法律，规定儿童不能上学或上托儿所，除非他们已经接种了预防破伤风、白喉、麻疹、腮腺炎和百日咳的疫苗因此，该题选择C项正确2. 单选题A liquid can be kept in an open container and fill it to the level of a free surface. A gas forms no free surface but ______ to diffuse throughout the space available.问题1选项A.tendsB.intendsC.inclinesD.contends【答案】A【解析】考查动词辨析A项tend表示“趋向，倾向，照料”，tend to表示“趋向，注意，易于”，指朝着一个方向发展或者有某种品质；B项intend表示“打算，想要，意指”，intend to表示“打算做，想要”；C项incline表示“倾向于，（使）倾向于，赞同（某人或某事）”，incline to表示“倾向于……，向……倾斜”，指倾向于用某种方式思考或者表现，被要求做某事；D项contend表示“竞争，奋斗，斗争”，不和to搭配。

根据句子的主语gas（气体），结合but转折后面的动词diffuse（扩散）可知，A项“倾向于”符合语境句意：液体可以保存在一个开放的容器中，并将其装满到一个自由面的水平；气体没有形成自由面，而是倾向于在整个可用的空间中扩散因此，该题选择A项正确3. 单选题When planting shrubbery it is advisable to tamp he dint around the root after covering them.问题1选项A.intrigueB.fertilizeC.pack downD.tamper with【答案】C【解析】考查动词辨析题干tamp“捣实；压实；塞紧”A项“激起……的兴趣；密谋”，B项“使受孕；施肥于”，C项“把……压实”，D项“篡改；干预”因此选C句意：种植灌木丛时，建议将其覆盖后夯实在根部周围4. 单选题The earliest controversies about the relationship between photography and art centered on whether photograph’s fidelity to appearances and dependence on a machine allowed it to be a fine art as distinct from merely a practical art. Throughout the nineteenth century, the defense of photography was identical with the struggle to establish it as a fine art. Against the charge that photography was a soulless, mechanical copying of reality, photographers asserted that it was instead a privileged way of seeing, a revolt against commonplace vision, and no less worthy an art than painting.Ironically, now that photography is securely established as a fine art, many photographers find it pretentious or irrelevant to label it as such. Serious photographers variously claim to be finding, recording, impartially observing, witnessing events, exploring themselves—anything but making works of art. They are no longer willing to debate whether photography is or is not a fine art, except to proclaim that their own work is not involved with art. It shows the extent to which they simply take for granted the concept of art imposed by the triumph of Modernism: the better the art, the more subversive it is of the traditional aims of art.Photographers’ disclaimers of any interest in making art tell us more about the harried status of the contemporary notion of art than about whether photography is or is not art. For example, those photographers who suppose that, by taking pictures, they are getting away from the pretensions of art as exemplified by painting remind us of those Abstract Expressionist painters who imagined they were getting away from the intellectual austerity of classical Modernist painting by concentrating on the physical act of painting. Much of photography’s prestige today derives from the convergence of its aims with those of recent art, particularly with the dismissal of abstract art implicit in the phenomenon of Pop painting during the1960’s. Appreciating photographs is a relief to sensibilities tired of the mental exertions demanded by abstract art. Classical Modernist painting—that is, abstract art as developed indifferent ways by Picasso, Kandinsky, and Matisse—presupposes highly developed skills of looking and a familiarity with other paintings and the history of art. Photography, like Pop painting, reassures viewers that art is not hard; photography seems to be more about its subjects than about art.Photography, however, has developed all the anxieties and self-consciousness of a classic Modernist art. Many professionals privately have begun to worry that the promotion of photography as an activity subversive of the traditional pretensions of art has gone so far that the public will forget that photography is a distinctive and exalted activity—in short, an art.47. What is the author mainly concerned with? The author is concerned with ______.48. Which of the following adjectives best describes “the concept of art imposed by the triumph of Modernism” as the author represents it in paragraph 2?49. Why does the author introduce Abstract Expressionist painter?50. How did the nineteenth-century defenders of photography stress the photography?问题1选项A.defining the Modernist attitude toward artB.explaining how photography emerged as a fine artC.explaining the attitude of serious contemporary photographers toward photography as art and placing those att。