澳洲Assignment-T he Study of Disaster Films
www.lxws.net meeloun论文网 专业留学生essay写作机构澳洲Assignment-T he Study of Disaster FilmsAbstract摘要在电影的历史长廊中,有大量的经典灾难片。灾难发生时,电影中所强调的人性的真诚、善良和美丽,总是给我们留下深刻的印象和有意义的后记。通过实证研究,探讨灾难片对观众心理的影响。本文主要探讨了灾难片如何塑造观众的观念和观念,并对灾难片的制作和消费提出了建议。In the history corridor of film, there were a great number of classical disaster films. The sincerity, goodness and beauty of the human nature highlighted in films when the disasters took place always left us deep impression and meaningful afterthoughts. By empirical study, this paper tries to discuss how disaster film impact on psychology of audience. In this paper, we primarily discuss how disaster film shape audience conceptions and ideas, and further makes recommendations on the production and consumption of disaster films.Project Title:项目名称:本文论述了灾难片的类型以及灾难片对观众心理的影响,虽然随着科学技术的进步,人们对自然的利用和改造能力得到了增强,但自然不会躲在被践踏的角落里。一旦地震、海难、洪水、飓风、突发事件、未知病毒、火山爆发和天气突变等灾害发生,人们引以为豪的文明立即显得脆弱,那些鲜活的生命也一个个枯萎。环境污染、过度开发甚至加剧了自然的暴力。灾难的来临总是带给人们悲伤和恐惧,带走人们最宝贵的东西,例如生命、财产、健康的身体,甚至梦想和希望。无论大自然如何发展,一个适宜的生活环境都是必不可少的。虽然我们似乎一天比一天战胜了大自然,但我们必须承认,我们的生活和幸福是大自然赐予的。只要灾难发生,我们就会变得无助。事实上,观众对灾难片的看法和想法是不同的。有的观众把灾难片当作纯粹的娱乐,有的观众会重新思考人类的行为,重新审视人与自然的关系;有的观众可能会陷入恐慌,或者散布谣言,在极端情况下,人们的真实生活也可能会受到灾难片的影响。这些不同的反应使得灾难片的研究具有重要意义,可以进一步指导灾难片的制作和消费。This paper discusses disaster films genres and the effects of disaster films on psychology of audiences.Although humans ability to use and transform the nature strengthened with the advancement of science and technology, nature will not hide in a corner to be trampled upon. Once the disasters such as earthquakes, marine perils, floods, hurricanes, unexpected troubles, unknown virus, volcanic eruptions and weather mutation took place, the civilization that people are proud of immediately appeared fragile, and those fresh and alive lives also withered one after another. Environmental pollution, over-exploitation even exacerbated the violence of nature. The approaching of disasters always bring people with sadness and fear, and take away the most precious things of people, for example, life, property, healthy body even dream and hope. No matter how the nature developed, a suitable living environment is indispensible. While we seemed to overcome the nature day by day, we have to acknowledge that our life and happiness are bestowed by nature. As long as disaster happens, we would become helpless. In reality, audiences perceptions and ideas of disaster films are different. Some audiences take disaster film as a purely entertainment; some will rethink the human behaviors and re-examine the relationship between human and nature; and some other people may get into a panic, or spread rumors, in the extreme situation, peoples real life might be affected by disaster film as well. These different reactions make the research of disaster films with great significance, which can further guide the production and consumption of disaster films.Rational for the project:Understand the genres and psychological impact of disaster films to audiences can better guide the production and consumption of disaster films. Everyone refuses disasters, but it doesnt mean that we should avoid thinking of the disaster. Only with deep reflections and thinking about disasters can we prevent the occurrence of the disaster, can we be alert on the disaster and find the inner strength in face of relentless scourge. Disaster film is a product of thinking and reflection. The flourishing ofdisaster film embodies the burgeoning of peoples attitudes to self-reflection in the process of rapid development of global science and technology, which is an upgrading of peoples self-understanding capacity. Disaster film not only pursued the life-like construction of disaster effects but also attached much importance to the pursuit and grasp of the life strength when people faced with disaster fate as well as the rational thinking of the development direction of society for people themselves.Some previous researches suggest that audiences perceptions and behaviors of disaster films reflect mythological notions and misinformation; later some focuses on the popularity of disaster works. (Geduld, 1975; Kaplan, 1975) In the theme of disasters, most essays reflects “a negative public reaction to the advanced technology of modern societies”. (Quarantelli, 1980) However, some other studies suggest that disaster films have little impact on erroneous beliefs (Wenger, James and Faupel, 1980) Therefore it is worthy asking the following questions: does disaster films shape audiences perceptions and ideas of disaster? how disaster films influence on the psychology of audience? how to handle with misinformation and rumors from disaster films? Expected impact of the workAs stated above, disaster films bring psychological impact on audiences. To answer these research questions, this study first investigates the psychological influences of disaster films to audiences, explains why the attitudes of audiences differ, and further discusses the social impact of d